An essay on The Janus Restraint just came out on Informality. Written by Stephanie Kae Dlugosz-Acton, it discusses the project in conjunction with Against the Screen, the new exhibition at La Esquina curated by Lynette Miranda.
My newest solo exhibition, Fragments of Space, opened last night at Walter Maciel Gallery in Los Angeles. The exhibition includes five new video animations, four photographs from The Janus Restraint project, an audio sculpture, and a new video object. ...
The Surveyor (2014), one of the short films from The Janus Restraint, will be included in the Secret Places video festival, curated by Maureen Bachaus at Museum Romeinse Katakomben in Valkneburg, The Netherlands. The festival will be screened in the ...
The opening of The Janus Restraint: Shift/Split last night was great. Good crowds, great reaction, and an amazing performance by VUM.
The exhibition is finally installed and will open to the public today at the Walter Maciel Gallery in the Culver City Arts District in Los Angeles. The opening reception is 6-8PM tonight followed by a special live performance by the LA-based band VUM.
Shana Nys Dambrot wrote a great preview of the upcoming exhibition at Walter Maciel Gallery in the LA Weekly today.
A new music video I created for VUM was released yesterday via Buzzbands LA. VUM is a Los Angeles-based band whom I have begun collaborating with on video pieces for The Janus Restraint. They will be playing a special live set at the opening of The Janus ...
There is a new Tumblr for The Janus Restraint project which will feature some elements not seen on the website, Twitter, and Instagram feeds.
Totemic Ping [2], a new video object from The Janus Restraint, will be on view this weekend in the inaugural EDITION Chicago. Walter Maciel Gallery will be showing it in the fair, which takes place at the Chicago Artists Coalition in the West Loop area of ...
The Janus Restraint was recently featured on the Artcore Journal in a post by the new Kemper Museum curator Erin Dziedzic. It was also featured in a post on the blog of curator Xhingyu Chen.

